Drop
A widowed wife and psychologist, Violet (Meghann Fahy), returns to the dating world, but, her first date in years is interrupted by a series of haunting “air drop” style messages. Before long Violet finds herself manipulated to do the unthinkable to spare her young son at home. In all, a deadly game of cat and mouse is afoot, finding the puppet master within 50 feet of her will take careful sleuthing, will Violet be able to stop her aggressor before it’s too late for all? 
Written by Jillian Jacobs and Chris Roach and Directed by Christopher Landon, this Hitchcockian inspired suspense/thriller makes effort to bring a 21st century twist to a classic tale of manipulation and forced hand, which, for the most part, works. Albeit, the pacing does slug a bit in Act II, which could have been tightened to improve flow, but the pulp factor and even searing rendition of piano bar “Baby Shark” gives the audience just the right amount of off beat chuckle with psychological terror. Coming in with a brief 100 minute runtime, this quick ride to the finish doesn’t waste time in Act III as the hinges come off and the action also manages to induce a few laughs, for better, for worse. The end result is still fun, and while the ensemble’s performances aren’t earth shattering, there’s just enough substance to keep things interesting. Looking for that good old armrest gripper, you’ve found your choice for the weekend. Drop is rated PG-13.